April 2011 Archives

Strength, Service, Vision


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"Your Body, Your Voice:  Human Rights Now" went beautifully!  I have long been interested in (okay:  obsessed with) structural similarities among violence at the macro level (the political space of the nation-state), the mid-level (the realm of the street:  of crime, law enforcement, and prisons), and the micro level (the domestic space of the family home).  How do the dynamics of these three levels of violence differ, and where do they coincide?

Being invited to give a lecture at Indiana State University's tenth annual Human Rights Day conference was a great opportunity to pull my thoughts together into a coherent argument about how illegitimate regimes use traumatizing violence upon the bodies of resisters to shatter the self, thus silencing opposition--and how narrative can function to heal trauma and resist oppression.  It was a great chance to share the insights of these wonderful books, which have long been favorites, and others, like Ari Kohen's In Defense of Human Rights:  A Non-Religious Grounding in a Pluralistic World, with a big, interested audience.

The talk got a huge turnout of students, staff, faculty, and community folks--it was SRO, w/people lined up in the hallway to hear.  Awesome.  Afterwards, a lot of people came up to pick up copies of the little "For Further Reading" handout I'd prepared.  Great!

I was nervous, naturalmente, when I looked out at the crowd, because you know public speaking makes me shake, but I kept thinking of that great Audre Lorde line that always motivates me: 

"When I dare to be powerful--to use my strength in the service of my vision, then it becomes less and less important whether I am afraid." 

I love that.  Notice:  she doesn't say, I become less and less afraid.  No.  You're still afraid.  It just becomes less and less significant that you are.  You're afraid, but you cease to care about that.  You care about others.  You care about justice.

And she doesn't say, When I dare to use my strength in the service of my ego, or my bank account.  No.  When I use it in the service of my vision.  Then fear ceases to matter.

Hats off to ISU for sponsoring such an important conference every year!  Human rights discourse itself is a fragile narrative, one to which we need to give as much attention as possible as often as possible.

I loved getting to read my creative work, too, to a lively and generous audience, and to visit classes in social work and counseling psychology. 

A highlight of the visit was meeting novelist Aaron Morales, who's on the faculty there.  I'm reading his book Drowning Tucson now, and I like this interview that Rigoberto González did with him last summer.

Many thanks to my host Dr. Keith Byerman and everyone else who worked so hard to bring me to ISU.  You spoiled me rotten, and I had an awesome time.  Human rights now!  ¡Órale!



 





Categories:

Quite a Bit of Hope, Actually


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Gentle reader, imagine my surprise this morning when--bleary, semi-coherent, not-yet-at-all-properly-caffeinated--I scrolled through the Arts section of the New York Times, only to see

my friend Timothy! 

Looking all pensive and suave, I might add.  Imagine the coffee sputter!  Imagine my thrill! 

Timothy Schaffert, my friend and colleague here at UNL in the creative writing program, has just been tapped by the gods--or, more specifically, Janet Maslin--for his new novel, The Coffins of Little Hope.

Her review is glowing.  For the book's wry warmth, she calls him an American Alexander McCall Smith, whose wild success and popularity (I'm a fan of the Isabel Dalhousie mysteries set in Edinburgh, myself) can bode only good things for a writer who, as she notes, has not gotten nearly the attention his fine work deserves:

As of Wednesday morning, it cost a total of 3 cents to buy used copies of all three of Timothy Schaffert’s previous novels from Amazon.com: “The Phantom Limbs of the Rollow Sisters” (2002), “The Singing and Dancing Daughters of God” (2005) and “Devils in the Sugar Shop” (2007). Yet each of these books is a quirky little gem, particularly the first one. Life is not fair.  
Indeed.  But perhaps, with this attention and more that's sure to come (Publishers Weekly called Coffins "sublime"), life's about to get fairer

One thing Maslin does not say--so I'll say it here--is that Timothy writes wonderful sentences.  His prose style is a lilting delight.  The typical reader may read primarily for story and for character, and his work has all those, too, but Timothy's a writer's writer as well. 

And his partner Rodney, who snapped the photo, makes marvelous limoncello from an old family recipe.  Which may not be at all relevant here. 

But still.  It bears saying. 

And I didn't know I liked dirty martinis until I met Timothy, so there's that as well.  (Hmm.  Where doth my mind stray?  Could it be time to leave the office?) 

So, from the bar, congratulations, Timothy!

Enfin, here's a batch of the latest from Charles, whose DESIRE PROJECTS expedition ends tomorrow:










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Categories:

Home and Happy


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Many thanks to everyone who sent kind condolences.  Your warm thoughts mean a lot.

While I work on my human rights lecture for an upcoming visit to Indiana State University, the Handsome Husband is off in New Orleans with crazy-fabulous photographer Charles Gullung and a shot list from THE DESIRE PROJECTS--that is, a list of all the places that Nola, the protagonist, goes during the story. 

The HH, who designs author websites (including this one) and was inspired by the sheer gorgeousness of Kwame Dawes's Emmy-Award-winning website, plans to build a new and knockout addition to this site as a bookwarming gift when DESIRE PROJECTS launches.  His long-time friend Charles is providing the visuals.  Am I thrilled by this?  I am. 

What I love about Charles's work is--well, see for yourself.  He has an eye for lush beauty, color, and texture, but he also has a quirky vision.  Here's a quick sample.








I think these are wildly gorgeous--and Charles and James (high school buddies, college roommates) are down there for a whole week.  Am I envious?  Way.  (Would I actually want to be along for the ride with former college roommates as they eat, drink, and shoot their way around southern Louisiana?  No way.)

Here at home in Lincoln, there's lots of good news to share.  First, congratulations to UNL graduate student Kaitlyn Palacios, whose excellent memoir essay "The Waiver" has been accepted by American Literary Review.  Great work, Kaitlyn!  All of us in ENGL 852A loved reading the piece in its early stages.  Pine Manor MFA grad Faye Rapoport DesPres placed her piece "Tulips" with University of Arizona's Superstition Review.  Congratulations!

And more amazing still, in this crazy market, when only about 30% of the instructors at universities and colleges nationwide are tenured or tenure-track professors, three Ph.D. students from the creative writing program here at UNL have gotten tenure-track positions:  Kelly Grey Carlisle at Trinity University in San Antonio (my sweet alma mater), emily danforth at Rhode Island College, and Carrie Shipers at University of Wisconsin-Marshfield.  Wow!  People:  this is rare.  Huge congratulations to Kelly, emily, and Carrie.  

Last of all, a big shout-out to poet John Chávez, who successfully defended his dissertation this afternoon.  John is a joy to work with, to read, and to know, and I'm sure some lucky university will be snapping him up soon.  ¡Buena suerte, Dr. John!  








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